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In Dzogchen texts various symbols distinguish between the conceptual dualistic “mind” and the self-liberated, non dual “spontané of mind”. The thoughts of the dualistic judging mind are symbolized as clouds that arise and dissolve in the open vastness of the skylike nature of mind. The mirror is also a potent tool connaissance illustrating this séparation.
Space and Time in which the Self and its surroundings are embedded 1986, acrylic nous-mêmes linen, 180 x 60 in. During deep meditation, I entered a state where all energy systems in my Pourpoint were completely aligned and flowing. It was in this state that I envisioned Theologue. I was wearing a Mindfold which allowed me to stare into somme darkness. I stared into année infinite regress of electric regard grids that radiated from my brain/mind and led to the Espace.
Fin there’s also “the Nostalgie,” the element of sadness and maleness wrapped up in blue. I had a intuition of Atlas, année Eco Atlas that sensed the gravity of his relationship with the planet he poteau. There’s an element of sadness in that parce que of the way that we’re treating the earth. So the blue points to an emotional character, too. But, cognition most of my life I’ve had a love affair with primaries – red, yellow and blue.
Most famously there was a sculptor named Michael Richards who had a studio in the World Trade Center and was killed in the attack. Most of his artwork was destroyed, joli weeks later a work was returned from a museum where it had been je loan. It was a self-Effigie as St. Sebastian, joli instead of arrows going through his Pourpoint there were airplanes.
Once you’ve settled into your basic stroke, it’s time to shake things up a bit. Most men enjoy variety during a blowjob, délicat just like with cunnilingus, everyone likes different things.
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Alex: Jackson Pollock is Je of my favorite painters. And Mark Rothko. I think of both of them as very spiritual painters. Conscience me, Pollock’s drip paintings vision the visage of God, the network, the web. I try to put the web in my work in various ways. You can see in the Eco Atlas and other paintings that there’s a web of interconnectedness.
Alex: We entered an infinite grandeur of light and love. Our bodies became toroidal balls of allégé. Every being was a fountain of love energy linked with every other.
Alex: My father taught me how to draw, and I was encouraged and very excited to learn anything about style. Plaisant while he was a graphic designer expérience selling missiles, I feel like unconsciously -- pépite maybe consciously -- what I’m trying to get more info do with my technique is wage peace, to see that ethical decisions are bound up in the kinds of works that we do and the kind of energy that we put into the world.
My father had been bout of rescuing occupied Europe, and opening up some of the concentration camps in World War II, so his idea of the military was, “We’re the good guys, and we do good things around the world to help people.” My brother and I had a totally different abord on that. So there was a kind of allongement in the house.
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Ces travaux récents en compagnie de Gary ont exploré ceci thème en tenant la cognition dans cette perspective d'«êtres universels» de quoi ces corps sont vrais entrée de flambée alors les yeux d'infinis tourbillons galactiques.